Christina Peek, Most Passionate, Most Pure Kiss #1 (Lady and the Tramp), 2017, backdrop, table, tablecloth, Chianti bottle, candle, spaghetti and meatballs with red sauce, plate, ceramic pot, breadsticks, dimensions variable (sculptural installation), photography by Steph Fuller, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program.
Christina Peek, Most Passionate, Most Pure Kiss #2 (Ghost), 2017, black paint, checked vinyl flooring, pottery wheel, clay, bucket, cloth, water, bookshelf, ceramic vases, ceramic bowls, lighting, stool, dimensions variable (sculptural installation), photography courtesy of artist, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program.
Christina Peek, Most Passionate, Most Pure Kiss #3 (Titanic), 2017, backdrop, wood, metal rod, paint, fixings, rope, wooden moulding, glue, dimensions variable (sculptural installation), Photography by Steph Fuller, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program.
Christina Peek, Most Passionate, Most Pure Kiss #1 (Lady and the Tramp)(detail of audience participation), 2017, backdrop, table, tablecloth, Chianti bottle, candle, spaghetti and meatballs with red sauce, plate, ceramic pot, breadsticks, dimensions variable (sculptural installation), photography courtesy of artist, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program.
Christina Peek, Most Passionate, Most Pure Kiss #2 (Ghost)(detail of audience participation), 2017, black paint, checked vinyl flooring, pottery wheel, clay, bucket, cloth, water, bookshelf, ceramic vases, ceramic bowls, lighting, stool, dimensions variable (sculptural installation), photography courtesy of artist, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program.
Christina Peek, Most Passionate, Most Pure Kiss #3 (Titanic) (detail of audience participation), 2017, backdrop, wood, metal rod, paint, fixings, rope, wooden moulding, glue, dimensions variable (sculptural installation), photography courtesy of artist, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program.
Christina Peek, Most Passionate, Most Pure Kiss #1 (Lady and the Tramp), 2017, backdrop, table, tablecloth, Chianti bottle, candle, spaghetti and meatballs with red sauce, plate, ceramic pot, breadsticks, dimensions variable (sculptural installation), photography by Steph Fuller, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program.
Christina Peek, Most Passionate, Most Pure Kiss #2 (Ghost)(detail), 2017, black paint, checked vinyl flooring, pottery wheel, clay, bucket, cloth, water, bookshelf, ceramic vases, ceramic bowls, lighting, stool, dimensions variable (sculptural installation), photography by Steph Fuller, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program.
Christina Peek, Most Passionate, Most Pure Kiss #2 (Ghost) (detail), 2017, black paint, checked vinyl flooring, pottery wheel, clay, bucket, cloth, water, bookshelf, ceramic vases, ceramic bowls, lighting, stool, dimensions variable (sculptural installation), photography by Steph Fuller, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program.
Christina Peek, Most Passionate, Most Pure Kiss #3 (Titanic) (detail), 2017, backdrop, wood, metal rod, paint, fixings, rope, wooden moulding, glue, dimensions variable (sculptural installation), Photography by Steph Fuller, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program.
Christina Peek, Most Passionate, Most Pure Kiss #3 (Titanic) (detail), 2017, backdrop, wood, metal rod, paint, fixings, rope, wooden moulding, glue, dimensions variable (sculptural installation), Photography by Steph Fuller, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program.