Most Passionate, Most Pure Kiss #1 (Lady and the Tramp)

Most Passionate, Most Pure Kiss #1 (Lady and the Tramp)

Christina Peek, Most Passionate, Most Pure Kiss #1 (Lady and the Tramp), 2017, backdrop, table, tablecloth, Chianti bottle, candle, spaghetti and meatballs with red sauce, plate, ceramic pot, breadsticks, dimensions variable (sculptural installation), photography by Steph Fuller, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program. 

Most Passionate, Most Pure Kiss #2 (Ghost)

Most Passionate, Most Pure Kiss #2 (Ghost)

Christina Peek, Most Passionate, Most Pure Kiss #2 (Ghost), 2017, black paint, checked vinyl flooring, pottery wheel, clay, bucket, cloth, water, bookshelf, ceramic vases, ceramic bowls, lighting, stool, dimensions variable (sculptural installation), photography courtesy of artist, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program. 

Most Passionate, Most Pure Kiss #3 (Titanic)

Most Passionate, Most Pure Kiss #3 (Titanic)

Christina Peek, Most Passionate, Most Pure Kiss #3 (Titanic), 2017, backdrop, wood, metal rod, paint, fixings, rope, wooden moulding, glue, dimensions variable (sculptural installation), Photography by Steph Fuller, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program. 

Most Passionate, Most Pure Kiss #1 (Lady and the Tramp)(detail of audience participation)

Most Passionate, Most Pure Kiss #1 (Lady and the Tramp)(detail of audience participation)

Christina Peek, Most Passionate, Most Pure Kiss #1 (Lady and the Tramp)(detail of audience participation), 2017, backdrop, table, tablecloth, Chianti bottle, candle, spaghetti and meatballs with red sauce, plate, ceramic pot, breadsticks, dimensions variable (sculptural installation), photography courtesy of artist, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program. 

Most Passionate, Most Pure Kiss #2 (Ghost)(detail of audience participation)

Most Passionate, Most Pure Kiss #2 (Ghost)(detail of audience participation)

Christina Peek, Most Passionate, Most Pure Kiss #2 (Ghost)(detail of audience participation), 2017, black paint, checked vinyl flooring, pottery wheel, clay, bucket, cloth, water, bookshelf, ceramic vases, ceramic bowls, lighting, stool, dimensions variable (sculptural installation), photography courtesy of artist, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program. 

 Most Passionate, Most Pure Kiss #3 (Titanic) (detail of audience participation)

Most Passionate, Most Pure Kiss #3 (Titanic) (detail of audience participation)

Christina Peek, Most Passionate, Most Pure Kiss #3 (Titanic) (detail of audience participation), 2017, backdrop, wood, metal rod, paint, fixings, rope, wooden moulding, glue, dimensions variable (sculptural installation), photography courtesy of artist, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program. 

Most Passionate, Most Pure Kiss #1 (Lady and the Tramp) (detail)

Most Passionate, Most Pure Kiss #1 (Lady and the Tramp) (detail)

Christina Peek, Most Passionate, Most Pure Kiss #1 (Lady and the Tramp), 2017, backdrop, table, tablecloth, Chianti bottle, candle, spaghetti and meatballs with red sauce, plate, ceramic pot, breadsticks, dimensions variable (sculptural installation), photography by Steph Fuller, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program. 

Most Passionate, Most Pure Kiss #2 (Ghost)(detail)

Most Passionate, Most Pure Kiss #2 (Ghost)(detail)

Christina Peek, Most Passionate, Most Pure Kiss #2 (Ghost)(detail), 2017, black paint, checked vinyl flooring, pottery wheel, clay, bucket, cloth, water, bookshelf, ceramic vases, ceramic bowls, lighting, stool, dimensions variable (sculptural installation), photography by Steph Fuller, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program. 

Most Passionate, Most Pure Kiss #2 (Ghost) (detail)

Most Passionate, Most Pure Kiss #2 (Ghost) (detail)

Christina Peek, Most Passionate, Most Pure Kiss #2 (Ghost) (detail), 2017, black paint, checked vinyl flooring, pottery wheel, clay, bucket, cloth, water, bookshelf, ceramic vases, ceramic bowls, lighting, stool, dimensions variable (sculptural installation), photography by Steph Fuller, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program. 

Most Passionate, Most Pure Kiss #3 (Titanic) (detail)

Most Passionate, Most Pure Kiss #3 (Titanic) (detail)

Christina Peek, Most Passionate, Most Pure Kiss #3 (Titanic) (detail), 2017, backdrop, wood, metal rod, paint, fixings, rope, wooden moulding, glue, dimensions variable (sculptural installation), Photography by Steph Fuller, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program. 

Most Passionate, Most Pure Kiss #3 (Titanic) (detail)

Most Passionate, Most Pure Kiss #3 (Titanic) (detail)

Christina Peek, Most Passionate, Most Pure Kiss #3 (Titanic) (detail), 2017, backdrop, wood, metal rod, paint, fixings, rope, wooden moulding, glue, dimensions variable (sculptural installation), Photography by Steph Fuller, this activity is proudly supported by Adelaide Central School of Art Graduate Support Program. 

Crimson Joy

Crimson Joy

Christina Peek, Crimson Joy, 2016, queen-sized bed, Crimson Joy lipstick, wax, bed linen, 76 x 150 x 203 cm, photograph James Field, courtesy of Adelaide Central School of Art. 

Someone Like You

Someone Like You

Christina Peek, Someone Like You, 2016, Bespoke perfume created to imitate a past lovers scent, 9cm x 3 cm x 3cm, photograph James Field, courtesy of Adelaide Central School of Art. 

Killing Time

Killing Time

Christina Peek, Killing Time, 2016, Crimson Joy and Kiss, Kiss, Bang, Bang lipstick kisses on paper, 150cm x 200cm, photograph James Field, courtesy of Adelaide Central School  of Art.

Crimson Joy (installation detail)

Crimson Joy (installation detail)

Christina Peek, Crimson Joy (installation detail), 2016, queen-sized bed, Crimson Joy lipstick, wax, bed linen, 76 x 150 x 203 cm, photograph James Field, courtesy of Adelaide Central School of Art.

 Christina Peek,  Keep your old love letters, throw away your old bank statements,  400 hand written love letters, envelopes, red ribbon, dimensions variable. 

Christina Peek, Keep your old love letters, throw away your old bank statements, 400 hand written love letters, envelopes, red ribbon, dimensions variable. 

 Christina Peek,  Keep your old love letters, throw away your old bank statements (detail),  400 hand written love letters, envelopes, red ribbon, dimensions variable. 

Christina Peek, Keep your old love letters, throw away your old bank statements (detail), 400 hand written love letters, envelopes, red ribbon, dimensions variable. 

 Christina Peek,  Keep your old love letters, throw away your old bank statements (detail),  400 hand written love letters, envelopes, red ribbon, dimensions variable. 

Christina Peek, Keep your old love letters, throw away your old bank statements (detail), 400 hand written love letters, envelopes, red ribbon, dimensions variable. 

 Christina Peek,  Keep your old love letters, throw away your old bank statements (detail),  400 hand written love letters, envelopes, red ribbon, dimensions variable. 

Christina Peek, Keep your old love letters, throw away your old bank statements (detail), 400 hand written love letters, envelopes, red ribbon, dimensions variable. 

 Christina Peek,  Keep your old love letters, throw away your old bank statements (audience interaction on opening night),  400 hand written love letters, envelopes, red ribbon, dimensions variable. 

Christina Peek, Keep your old love letters, throw away your old bank statements (audience interaction on opening night), 400 hand written love letters, envelopes, red ribbon, dimensions variable. 

 Christina Peek,  Keep your old love letters, throw away your old bank statements (audience interaction on opening night),  400 hand written love letters, envelopes, red ribbon, dimensions variable. 

Christina Peek, Keep your old love letters, throw away your old bank statements (audience interaction on opening night), 400 hand written love letters, envelopes, red ribbon, dimensions variable. 

 Christina Peek,  Keep your old love letters, throw away your old bank statements (detail),  400 hand written love letters, envelopes, red ribbon, dimensions variable. 

Christina Peek, Keep your old love letters, throw away your old bank statements (detail), 400 hand written love letters, envelopes, red ribbon, dimensions variable. 

 Christina Peek,  Keep your old love letters, throw away your old bank statements (detail),  400 hand written love letters, envelopes, red ribbon, dimensions variable. 

Christina Peek, Keep your old love letters, throw away your old bank statements (detail), 400 hand written love letters, envelopes, red ribbon, dimensions variable. 

 Christina Peek,  Keep your old love letters, throw away your old bank statements (detail),  400 hand written love letters, envelopes, red ribbon, dimensions variable. 

Christina Peek, Keep your old love letters, throw away your old bank statements (detail), 400 hand written love letters, envelopes, red ribbon, dimensions variable. 

 Christina Peek,  The Love Jumpers , 2015, artist's own jumper, wool, cotton thread, dimentions variable, photograph James Field, courtesy of Adelaide Central School of Art

Christina Peek, The Love Jumpers, 2015, artist's own jumper, wool, cotton thread, dimentions variable, photograph James Field, courtesy of Adelaide Central School of Art

 Christina Peek,  I love the idea of you , 2015, cotton, cotton thread, Australian oak, 180 x 51cm, photograph James Field, courtesy of Adelaide Central School of Art

Christina Peek, I love the idea of you, 2015, cotton, cotton thread, Australian oak, 180 x 51cm, photograph James Field, courtesy of Adelaide Central School of Art

 Christina Peek,  I love the idea of you (detail) , 2015, cotton, cotton thread, Australian oak, 180 x 51cm, photograph James Field, courtesy of Adelaide Central School of Art

Christina Peek, I love the idea of you (detail), 2015, cotton, cotton thread, Australian oak, 180 x 51cm, photograph James Field, courtesy of Adelaide Central School of Art

 Christina Peek,  I love the idea of you (detail) , 2015, cotton, cotton thread, Australian oak, 180 x 51cm, photograph James Field, courtesy of Adelaide Central School of Art

Christina Peek, I love the idea of you (detail), 2015, cotton, cotton thread, Australian oak, 180 x 51cm, photograph James Field, courtesy of Adelaide Central School of Art

 Christina Peek,  The Kiss List (detail) , 2015, lipstick, cotton thread, linen, dimentions variable, photograph James Field, courtesy of Adelaide Central School of Art

Christina Peek, The Kiss List (detail), 2015, lipstick, cotton thread, linen, dimentions variable, photograph James Field, courtesy of Adelaide Central School of Art

 Christina Peek,  The Kiss List (detail) , 2015, lipstick, cotton thread, linen, dimentions variable, photograph James Field, courtesy of Adelaide Central School of Art

Christina Peek, The Kiss List (detail), 2015, lipstick, cotton thread, linen, dimentions variable, photograph James Field, courtesy of Adelaide Central School of Art

 Propositions 2015 installation, photograph James Field, courtesy of Adelaide Central School of Art   

Propositions 2015 installation, photograph James Field, courtesy of Adelaide Central School of Art

 

 Propositions 2015 installation, photograph James Field, courtesy of Adelaide Central School of Art   

Propositions 2015 installation, photograph James Field, courtesy of Adelaide Central School of Art

 

 Propositions 2015 installation, photograph James Field, courtesy of Adelaide Central School of Art   

Propositions 2015 installation, photograph James Field, courtesy of Adelaide Central School of Art